Podcast

Few understood just how brilliant the original "Naked Gun" films were quite like Schaffer, which is why he thought a reboot was a fool's errand until Neeson's name was mentioned.

On this week's "Screen Talk," Anne Thompson and Ryan Lattanzio also dish on how studios are marketing their genre movies, often leaving journalists in the lurch amid the influencer film criticism takeover.

Writer/director Scott Z. Burns spent six months working with AI on a "Contagion" sequel, and walked away from the experience with one big warning.

On this week's episode of IndieWire's "Screen Talk" podcast, we review Matt Shakman's Marvel needle-reset "The Fantastic Four: First Steps" and parse the latest fall festival announcements.

With Omnes Collective, these Emerson grads found a way to make slower cinema on the cheap and grow an audience for films like “Christmas Eve in Miller’s Point.”

Director and co-writer Jennifer Kaytin Robinson talks about finding a new look for the North Carolina fishing hamlet — by shooting in Australia.

Katy Perry’s ‘Firework’ is perfect, but it took Aster trying hundreds of songs after not getting the rights to a Jay-Z track.

IndieWire's Awards Editor Marcus Jones joins this week's edition of IndieWire's "Screen Talk" podcast to dish Emmy nominations — and the opening of "Eddington" this week in theaters.

Lynch’s creative process was every bit as unique as his films.

This week's "Screen Talk" podcast debates the new "Superman" and the New York Times' list of the 100 best movies of the century, and previews Lena Dunham's TV return.

With a new 4K restoration in theaters and a sequel on the way, the director tells IndieWire about his influential mockumentary and why all of his movies — from "Misery" and "When Harry Met Sally..." to "Stand by Me" — are personal.

Most VFX blockbusters take 2.5 years to make, but Edwards tells IndieWire he had just 15 months.