DWN
TWN
DWN
TWN
DWN
TWN
DWN
TWN
DWN
TWN
In dealing with certain dualisms of this disposition-template I use poetic/rational devices. DWNTWN is a representational heading for the misconception that the happenings within cultures/sub-cultures share universal taproots of definitions and functions.
While John Cage invoked the awareness of Silence, the qualifying rhetorical watermarks he built into many of his works reveal unfinished process end up accentuating a duality between elements which .
While John Cage invoked the awareness of Silence, the qualifying rhetorical watermarks he built into many of his works reveal a misunderstanding of the immiscibility between the visionary and definitive elements with which he was in dialogue.
however, systems have lifespans, and to use the DWNTWN social belief as a basis for understanding is unrealistic.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
The action of accepting chance-based materials with regards to FASHION in composition is a motion towards liberation.
There is no special virtue in the relative complexities of ‘where something comes from’ as this act of defining is an issue of personal awareness and observation, not a traditional aspect of science or philosophy.
fully interacting with the amoral,
dialectical mechanism of Fashion.
a disposition-template ----
balancing of meta-awarenesses with
the multitude of material
responsivities
